Raising Connections

Four County Quilters Guild 01-26-2026

Rachann Mayer Season 9 Episode 4

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0:00 | 24:07

Rachann talks with Melinda Horner, a representative of the Four County Quilters Guild, which meets the second Tuesday of every month in Mount Airy, Maryland. The guild gets together and quilts, presents speakers who talk about quilting, and welcomes anyone whether they have been involved in quilting or not. They'll teach you how!

Four County Quilters Guild

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Audio file

RCP Podcast 4 Counties Quilt Guild Total Release Date 1-26-26.mp3

Transcript

00:00:00 Speaker 1

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Enjoy your program.

00:00:31 Speaker 1

Welcome to Raising Connections, connecting your community to others through Critters, Companions, Commerce, and Agriculture.

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I'm Ray Shan Mayer.

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Let's raise some connections.

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Here we go.

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This morning, we have a fun and interesting guest, as always, Melinda Horner.

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Welcome.

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Thank you.

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and I have had a wonderful talk.

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We're sitting in the Raising Connection studios.

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We've been looking at quilts this morning.

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Can you introduce yourself and tell us where you're from?

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I'm Melinda Horner and I'm from Walkersville, Maryland.

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I've been doing hand work and quilting since a very young age.

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When you walked in, you had a beautiful jacket on that's quilted, your necklace is quilted, and the earrings

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you're wearing are diamond glass.

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Why do you surround yourself with handcraft arts?

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Items that are made by hand, they're designed different, they're more personable, they feel better, they wear better.

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They're almost like a billboard of who you are.

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People can, just by seeing you, can kind of get a feel of the type of person that you are just by your accessories and the clothes that you wear.

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And as a quilter, I do tend to wear things that either

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or fabric that are quilt patterns or the jacket that I made with quilt blocks.

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It's an outwardly statement of who you are without having to tell someone who you are.

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I absolutely believe that.

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My daughter and I will have conversations about, do you tattoo your body?

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And I always tell her, well, we tattooed the lips of the horses and we tattooed the thighs of the dogs.

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And she goes, yes, mom.

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But what about that?

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I say, it's art.

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And sometimes my mood is one way and sometimes my mood is the other.

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And if I have

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a beautiful art hand good on a jacket.

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I might feel flowers one day, and the next day I might feel horses.

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And she's like, oh, that makes sense.

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A beautiful jewelry, a beautiful piece of art that you can wear to express that personalization.

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Four Counties Quilting Guild, did I say that right?

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Mm-hmm.

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Is part of the organization that you're in the leadership for.

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What is a guild?

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Our actual guild was formed in 1988 and our focus and most guilds focus is on new quilters and it's a place where sewists or quilters are people who want to learn how to quilt.

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We have the space and the people that allow questions to be asked and lessons to be learned and things to be taught and shared with one another.

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Our guild, we focus on new members

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new quilters, and we have a wide variety of membership and ability, the traditional, the modern, and the art quilt world.

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A guild provides a safe space for people to come and really share ideas about quilting and life.

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Great friendships are made through the guild.

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It is, it's just a wonderful place to come learn and share ideas.

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So a guild isn't something, it's not juried, it's not a level of skill.

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It's something that's open to everyone.

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Got it.

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So it's not quite a club.

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It's a place to learn.

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It's a safe place.

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Yeah.

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For a group of people that have one interest in a field.

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Yes.

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So I know we'll do this at the end, but I bet there's a listener out there going, I used to do this.

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Grandma used to do it.

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Mom used to do it.

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My grad aunt used to do it.

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I've got there sitting in the attic and I don't know how to use it.

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Can they bring that?

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They certainly can.

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And say, how do we do this?

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Yeah, we have so

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at the local library in Mount Airy.

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And every time that we are there at that space, someone walks in and tells us a quilting story, or we have aunt so-and-so's or great-grandmother so-and-so's quilt, and we don't know what to do with it.

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may be a top that needs to be finished.

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We have Lori Mombay.

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She's a new member, and that's how we met her.

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She just happened to have these quilts in her car, and we would love to see them, and she brought

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these beautiful heirloom tops.

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And that's exactly what she was looking for, was somebody who could help her finish these quilts.

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And we all got to share ideas as far as how we would finish them versus me as a hand quilter.

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I said, this one definitely has to be finished by hand, which a lot of the antique tops are finished by long arm quilters today.

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But there's still a lot of people out there that will hand quilt them for them as well.

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So I hope one day that I get the opportunity to finish one of her quilts.

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quilts for her.

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So we've got to break this down a little bit.

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The look on your face when you were explaining doing the quilts and doing this for her and the gift of love in doing the quilting and the gift of community and the technical pieces, we've got a lot of ground to cover.

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There's so much in quilting.

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And you started it off with the traditional, the modern, and the art quilting.

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quilting.

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What are the differences?

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Your traditional quilts, they're the patterns and designs that derived back as far as the 1700s with your chintz quilts and applique quilts, and then your 1800s with your patchwork.

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Actually, the Goodies and the Farmer's Wife magazines, they used to share quilt patterns in them that the women who got those magazines, they would then share their patterns with their friends in their community.

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to make these beautiful patchwork traditional quilts that we still make today.

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And they all go back to those traditional original designs.

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The modern quilts, the modern designs, the fabrics are different.

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You see more solid fabrics used in the modern quilting.

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They're more organic.

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And then the art quilting, that's just amazing.

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It's such a wide, vast, broad spectrum from portraits to landscapes.

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to abstract art.

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There's a lot of reflection of that art world that may be done in other textiles or mediums that has been transferred over into fabric.

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It all comes together in something usable, washable, giveable, made with love and time.

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And oftentimes the home craft art such as quilting aren't really considered art, but right here is the crossover.

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When we go back to Lori Mambe and the quilts that she brought in, the act of love that was on your face and giving her something that is quilted brings me to a question.

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Isn't a quilt just a blanket?

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No.

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That's one of the things that's kind of frowned upon when people express that quilts are blankets.

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Blankets have one purpose, and that is to cover you and keep you warm, where quilts are made with love and provide the warmth.

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I've always felt that a quilt is like giving a person a hug, because you can wrap yourself in a blanket, but you cuddle yourself up in a quilt.

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I love that.

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And there's so much more that goes into a quilt.

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Even tied quilts are just as special.

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Now, a tied quilt, is that the polar fleece

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you're tying the edge.

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Well, that would be more of your blanket style.

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Your tied quilts is your traditional quilt top, and then you tie the three layers together with a cotton thread or yarn.

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They're considered more comforters.

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We used to call them tacking.

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You'd tack them.

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Oh, yeah.

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Tack quilt with the little fuzzies in the middle.

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Okay, so we got that.

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Apparently the story is my father, when he was young, would take the little tacking and tickle his nose with it.

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And when my daughter was born, we found her taking the tacking and tickling her nose.

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Genetics that work through the love of quilts and comforters.

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So we're not talking blankets, but there's tops, because that's what Lori was bringing around in her car.

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And then there's the act of quilting.

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Walk me through this.

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There's piecing, there's toppers.

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There's quilting, there's blankets, Yeah, the quilting is you take a beautiful piece of fabric, you cut it up, and then sew it back together again.

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You're piecing, you find your pattern that you love that may associate or remind you of the person that you're making the quilt for.

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And generally, that's where quilting begins, whether it's someone that's getting married or a baby being born.

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There's an actual person that's in mind when you start a quilt.

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And then you get your fabric and you cut your

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fabric up, you sew it back together again.

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And then again, that's the roots of our country with our cotton here in the United States.

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That cotton is grown here and transformed into the batting, which is your middle layer of your quilt.

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And we also have our wool fleece that we use for our wool batts for our quilts.

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And then the third layer is just your cotton layer that you use for the backing of the quilt, which is traditionally what is against the person.

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Then the quilt's layered based

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twisted together either by thread or pins.

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And then it's the person's choice if they're hand quilting it as far as whether they use templates or just follow the flow of the fabric, the design of the fabric to do the hand quilting.

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Or a lot of people today take their top to a long armor, which is a long arm quilter in which they quilt with an electronic machine, a large machine.

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And that has become an art in itself, just like the traditional quilting.

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Let me break this down a little bit.

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The design in the fabric is the piecing.

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And that fabric can come from all kinds of places, from high-end fabrics you like all the way down to t-shirts and bits and pieces of loved one's clothes or a special shirt.

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And then the batting is the stuff in the middle that makes it thinner, thicker, summer weight, winter weight, comforter.

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Yes.

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And then the backing of it is what's against your skin.

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Then there's an edging.

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And then the quilting is sewing in a pattern the pieces together.

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Yeah.

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Yes, you're holding the three layers together with the quilting.

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And this can be done by individuals.

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It can be done by different people.

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Is it sort of like the plumber and the electrician and the finish person?

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So somebody does the top, somebody does the middle, and somebody does the quilting?

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Or is it all one person?

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How does that work?

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Through our guild, we have a lot of community projects that we do, whether it's Sleep in Heavenly Peace or Quilts of Valor.

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And we do, we have designated sewers.

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that will piece the top.

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We'll have a group of people that will actually go out and get the fabric, choose the pattern, and then the person will piece the top together.

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And then you'll have another person or several people that will select themselves to do the quilting on the quilt.

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And then we'll have another person that will finish the quilt by doing the binding.

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So it can be a team effort.

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It seems like when you're doing a service project where you want to get a number of quilts done by a specific time, it does seem to

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move a little bit faster by having a team of people working together versus, one person.

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For example, I can piece a quilt top together in a few days, but to hand quilt a queen size quilt, it would take me four to six weeks to get it quilted.

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And that's fast.

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Yeah.

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That's fast.

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Anybody thinks four to six weeks is a long time.

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That's a fast quilting.

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You can rock and roll with the best of them.

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When we come back, let's

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talk about all of the things that go into that community and team and what the guild does.

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Welcome back to Raising Connections.

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Off air, we were talking about the difference between long arm and hand sewing, hand quilting, because quilting is not sewing, but it is.

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What's the difference and what's your personal take on the difference?

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My personal take on hand quilted quilt versus the long arm quilt is with every stitch that you make when you're hand quilting a quilt, a part of yourself becomes part

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of that quilt, the drape of the quilt changes.

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The fabrics warm up as you quilt it.

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forms to the body so much easier.

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It just falls gracefully onto a bed.

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A long arm quilt, it seems flatter.

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The overall look of it is different.

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And I asked a long armer years ago, when does a quilt lose that look?

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And she says, it never will.

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Interesting.

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Where a long arm quilt

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quilt will age differently.

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It will consistently look the same as it was made quilted today as it will 10, 20 years from now where a hand quilted quilt, it ages different.

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The fabrics form differently.

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And we can look at our quilts from the 1800s till today and the ones that are still pristine and the ones that have been loved and used and worn.

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And that's one of the things as quilters, we want our quilts to be used.

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Absolutely.

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So I was sitting here thinking about quilts that my grandmother did and she sent them out to be long armed and a long arm, correct me if I'm wrong, it goes onto a machine and there's a frame and the machine moves over it sewing exact stitches in a pattern.

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Yes.

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And it's often controlled by a person sitting here doing the motion as you do it.

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It's almost like holding a steering wheel and driving the sewing machine.

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And some of them are computer operated as well.

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Oh, I've gotten old.

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Yeah.

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And then when it's a hand stitch, the technique I learned way back in the day was called rock'n'roll, where you would-.

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You rock your stitches.

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Rock them through and you would pull them and the stitches would be different lengths.

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And everyone has their own stitch.

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There's part of the quilting community and even the antique collectors of older quilts, you know, they want, they're looking for so many stitches per inch.

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For today, that rule is gone.

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It is.

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Everyone has their own stitch and as

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I teach people to hand quilt or big stitch quilt.

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I said, you'll find your stitch.

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And the key to hand quilting or big stitching is just having even stitching.

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Okay.

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And back in the day, their goal or what they acquired to do was, that was kind of like their pride in their work was their, like some people have penmanship.

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These women who quilted, it was their quilting.

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That was the way that they showed their best of their stitching ability was those

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tiny little stitches.

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The batting was different back then too.

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It's not as dense as it is today, which allows for the needle to go through a little bit firmer.

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That makes sense.

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I can hear one of my quilters in my background going, 21 stitches and an inch, 21 stitches and an inch.

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And I'm thinking, an inch is only how long?

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21?

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That's teeny tiny.

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But that was when clothes were handmade.

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Yeah.

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You needed that because the strength of the garment was in the stitching.

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And when I look at some of those quilts,

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It's the quilting between the layers that holds the batting together because you can see it sort of change and morph in that quilted area.

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And some of the antique quilts that you find today, due to the dye lots, pre-war and post-war, how they dyed the fabrics, the dyes themselves disintegrated the fabric.

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And a lot of, well, there's a majority of some of the antique quilts today that have that where the fabric has disintegrated, the only remnant

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of that fabric is where that hand stitch went through it.

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Yep, I've seen that happen.

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And that's how they can research and date certain fabrics is just by these tiny little stitches that are holding those few fibers left in that quilt.

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Interesting.

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There is so much to talk about with the history of quilts.

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I want to take us on something modern.

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One of the things about Four Counties Quilting Guild and one of the conversations we had off air that I think is so important is the young

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folks.

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And you said there's a resurgence amongst the youngsters.

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Help me with that.

00:16:36 Speaker 2

Yeah, there is a group out there now of young folks that are very interested in the hand arts.

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Linganore High School, they have a group of students that just recently formed a club just to learn the hand arts, whether it's knitting, crocheting, embroidery, quilting, garment sewing, and we're supporting them.

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And we, in our past, through our philanthropy,

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philanthropy, we worked with 4-Hers and had them learning to quilt.

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And so many people, even as adults today, they have that memory of when they were a child with their first connection with a quilt, whether it was their grandmothers, great-grandmothers, or it might be just a wall hanging or a kitchen item that someone made that a family member may not themselves do the quilting arts today, but they've kept it because it's

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the family heirloom.

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And a lot of times that family heirloom is what connects that next generation to wanting to start the craft today.

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We offer junior memberships at our guild and through the Fall Fest at the Piney Run Park, we do children demos where we work with the children on hand crank sewing machines.

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They make their own little bookmark.

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I come up with ideas for them to be able to hand stitch with yarn.

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They'll be hand quilting something just

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learning the motion when they're younger, if you get that first initiation with a child with something with needle and thread, whether it's yarn or what have you, that it's something that will revisit them or be with them the rest of their lives.

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But young people today, we have a lot of people in their 20s and 30s that are interested in the quilting arts now.

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So many people have had an experience with quilting earlier in their life, but they

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don't get to revisit it again till they retire.

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And that's one thing that is changing.

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There's young people that may start with their garment sewing, making clothes for themselves.

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And as they become more comfortable with a sewing machine and cutting fabric and making things, then they transfer over into that quilting world where they want to make a quilt for their expected child or the new baby in a family or a quilt for themselves.

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sales for a bed quilt.

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And so many people today start out with something smaller, like a baby quilt, and that it's a confidence builder that they can go on to try something different, something bigger, something more intricate.

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And it does build confidence in you as you build your sewing skills.

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And that's one thing about the quilting community.

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You get that reassurance and you have people to ask questions and help you along the way.

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I love that.

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One of the things

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I was taught, and one of the things I heard echoed in what you were saying was the act of crocheting or the hand arts keeps your hands busy while your mind is going somewhere else.

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And it often helps the learning process.

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Especially in my case, I was taught to do jumping jacks or crochet or do something with my hands so my mind could remember my multiplication tables.

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The community that forms around that active with your hands, active with your mind, and the conversation

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Do you find that's a special community?

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It's a very special place to share, not just your quilting art, but what's going on in life.

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So much is shared.

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There's a lot of recipes.

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that are shared through our group.

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We often say that, where there's quilters, there's cookers.

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And we have guilds that refer to themselves as we're an eating group.

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And when they meet, everybody brings like a potluck dish and they share, they share their quilts, their conversations, and they share their food.

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And that goes back to how women used to get together, you know, 100 years ago.

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A lot of times I

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I think it still exists where as people live far apart from one another and church was like their time together with other people.

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And then that's when the quilting bees began.

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And I think it helps women, whether it was pioneer times or today, kind of keep our sanity.

00:21:04 Speaker 1

Absolutely.

00:21:05 Speaker 1

You can keep your hands busy, a sense of community, and that social interaction.

00:21:11 Speaker 1

Anyone who went through COVID or has been

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isolated in life, you miss part of your humanity when you're not connected.

00:21:18 Speaker 2

There's a quilter from Northern England that I connected with over the winter, and she has an expression that I just love, that you get out of your head and into your hands.

00:21:29 Speaker 1

Absolutely.

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I think there should be a t-shirt.

00:21:32 Speaker 1

Absolutely, with quilting on it, yes.

00:21:34 Speaker 2

Yeah, and I love that because so much of, for myself and others,

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whether you're sewing or if you're quilting, any part of the process of making a quilt, those moments you do, you get out of your head, whatever is busyness that's going, it gives your mind a time of relaxation and a break from, you know, the monotony that may be going on inside.

00:22:02 Speaker 2

It's kind of an outward retreat for your mind to give it a break from, I don't want to say the real world, but whatever may be trouble.

00:22:10 Speaker 2

troubling you or thoughts that maybe...

00:22:13 Speaker 1

Active quiet time.

00:22:14 Speaker 2

Yeah.

00:22:15 Speaker 1

It's time to process.

00:22:16 Speaker 2

Yeah.

00:22:16 Speaker 1

One of the most interesting things I read, and we may be going down the rabbit hole, but one of the most interesting things I read in psychology was that using your hands in a rhythmic pattern allows processing in your brain to occur.

00:22:30 Speaker 1

And that sounds just like what you have expressed.

00:22:33 Speaker 2

Yeah, last year down at the Maryland Historical Society in Baltimore, they had an applique quilt exhibit, a doctor from

00:22:40 Speaker 2

from Montgomery County down around the Laytonsville area.

00:22:43 Speaker 2

And he was a psychiatric doctor.

00:22:45 Speaker 2

And back in the 1800s, that was one of the methods that he used to treat his patients was for them to applique, to do hand applique.

00:22:55 Speaker 1

Interesting.

00:22:55 Speaker 2

And what beautiful work.

00:22:57 Speaker 2

And that was part of his process to help these people with their anxiety and their psychiatric problems was give them this peace and through hand working, through quilting.

00:23:09 Speaker 1

What an amazing

00:23:11 Speaker 1

connection.

00:23:11 Speaker 1

It's a little bit of everything.

00:23:13 Speaker 1

If our listeners want to find you, where do we find you?

00:23:17 Speaker 1

Where do you find your guild?

00:23:19 Speaker 2

We meet the second Tuesday of every month, all year long, and we meet at the Calvary United Methodist Church on South Main Street in Mount Airy.

00:23:27 Speaker 2

And our website is fourcountyquilters.org, and we also have a Facebook page.

00:23:34 Speaker 1

I love it.

00:23:35 Speaker 1

There's so much about the guild that we haven't even touched today.

00:23:38 Speaker 1

You'll have to come back and guest another time.

00:23:40 Speaker 1

Melinda,

00:23:41 Speaker 1

Thank you for joining us today.

00:23:44 Speaker 2

Oh, thanks for having me.

00:23:46 Speaker 1

I hope the connections we've raised today stay with you as you engage your community through critters, companions, commerce, and agriculture.

00:23:53 Speaker 1

Join me again next week.

00:23:55 Speaker 1

We'll make some more connections.

00:23:57 Speaker 2

This program is a production of Raising Connections Media Company, hosted and produced by Rashan Mayer and edited and mixed by Robin Temple.